Past Events

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Chris Hondros After 15 years covering major conflict zones, Pulitzer Prize-nominated photojournalist Chris Hondros was killed by a mortar shell on April 20, 2011 while traveling with rebels in Libya. Hondros' photos from conflicts in Afghanistan, Iraq, Libya, Egypt, and Liberia, among other places, constitute one of the most affecting bodies of work in photojournalism. Link to the virtual version of the exhibition    

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Chris Hondros After 15 years covering major conflict zones, Pulitzer Prize-nominated photojournalist Chris Hondros was killed by a mortar shell on April 20, 2011 while traveling with rebels in Libya. Hondros' photos from conflicts in Afghanistan, Iraq, Libya, Egypt, and Liberia, among other places, constitute one of the most affecting bodies of work in photojournalism. Link to the virtual version of the exhibition    

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Chris Hondros After 15 years covering major conflict zones, Pulitzer Prize-nominated photojournalist Chris Hondros was killed by a mortar shell on April 20, 2011 while traveling with rebels in Libya. Hondros' photos from conflicts in Afghanistan, Iraq, Libya, Egypt, and Liberia, among other places, constitute one of the most affecting bodies of work in photojournalism. Link to the virtual version of the exhibition    

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Chris Hondros After 15 years covering major conflict zones, Pulitzer Prize-nominated photojournalist Chris Hondros was killed by a mortar shell on April 20, 2011 while traveling with rebels in Libya. Hondros' photos from conflicts in Afghanistan, Iraq, Libya, Egypt, and Liberia, among other places, constitute one of the most affecting bodies of work in photojournalism. Link to the virtual version of the exhibition    

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Chris Hondros After 15 years covering major conflict zones, Pulitzer Prize-nominated photojournalist Chris Hondros was killed by a mortar shell on April 20, 2011 while traveling with rebels in Libya. Hondros' photos from conflicts in Afghanistan, Iraq, Libya, Egypt, and Liberia, among other places, constitute one of the most affecting bodies of work in photojournalism. Link to the virtual version of the exhibition    

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Chris Hondros After 15 years covering major conflict zones, Pulitzer Prize-nominated photojournalist Chris Hondros was killed by a mortar shell on April 20, 2011 while traveling with rebels in Libya. Hondros' photos from conflicts in Afghanistan, Iraq, Libya, Egypt, and Liberia, among other places, constitute one of the most affecting bodies of work in photojournalism. Link to the virtual version of the exhibition    

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Chris Hondros After 15 years covering major conflict zones, Pulitzer Prize-nominated photojournalist Chris Hondros was killed by a mortar shell on April 20, 2011 while traveling with rebels in Libya. Hondros' photos from conflicts in Afghanistan, Iraq, Libya, Egypt, and Liberia, among other places, constitute one of the most affecting bodies of work in photojournalism. Link to the virtual version of the exhibition    

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Chris Hondros After 15 years covering major conflict zones, Pulitzer Prize-nominated photojournalist Chris Hondros was killed by a mortar shell on April 20, 2011 while traveling with rebels in Libya. Hondros' photos from conflicts in Afghanistan, Iraq, Libya, Egypt, and Liberia, among other places, constitute one of the most affecting bodies of work in photojournalism. Link to the virtual version of the exhibition    

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Farid Sani: NC Bird’s Eye View This show includes my aerial photographs of the North Carolina taken in past 3 years from Mountains to Sea.

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

The Beautiful Project, Stephen Hayes, and Hồng-Ân Trương Stephen Hayes explores historical depictions of African Americans as they relate to social justice. Hồng-Ân Trương connects to issues of communication (and misunderstanding) between disparate cultures. The Beautiful Project grapples with ideas of memory and ritual. Each of these concepts exists in conversation with the NCMA and its holdings. By linking the Museum to local contemporary artists, the exhibition helps visitors understand the NCMA’s contemporary art collection in new ways as well as…

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…

Image by Christopher Sims The Pretend Villages: Christopher Sims In this exhibit, The Pretend Villages documents the inhabitants and structures of imagined, fabricated Iraqi and Afghan villages on the training grounds of U.S. military bases. Situated in the deep forests of North Carolina and Louisiana and in a great expanse of desert near Death Valley in California, these villages serve as strange and poignant way stations for soldiers headed off to war, and for those who have fled from it:…